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Steven Hall Q&A Options
heartbreak
Posted: Wednesday, March 04, 2009 8:25:46 AM
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When I read the book, I got huge sense of a definite past for Eric's character. I wonder if that was because you had really written it already. You knew what he had experienced leading up to that moment he wakes up on the carpet. Very cool. :) (sorry if that makes no sense, it's 2:30 am and I'm half aslake)
Steven Hall
Posted: Wednesday, March 04, 2009 8:53:29 AM

Rank: Whale Shark
Groups: Shoal , Whale Shark

Joined: 1/24/2009
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Location: UK
heartbreak wrote:
When I read the book, I got huge sense of a definite past for Eric's character. I wonder if that was because you had really written it already. You knew what he had experienced leading up to that moment he wakes up on the carpet. Very cool. :) (sorry if that makes no sense, it's 2:30 am and I'm half aslake)



It does make sense. Yes, I had a strong grip on his past at that point, and also on his future as much of Part Two was written before Part One.
I'd also spent, I guess even hundreds of hours going through the book in my head when I wasn't writing it and so I knew the characters very well when I came to put them down on paper. Scout is a good example - I'm been thinking about Scout and working her out for about a year before she arrived in the text. It was quite an odd sensation when she finally showed up in the story and became somehow 'real'. With Fidorous it was maybe twice as long. Thinking about it, there are so many things I know about these characters, parts of their history but never needed to go into Raw Shark, and hopefully that goes towards making them real on the page. Some of that has gone/is going into the negatives, some of it will just stay in my head or on my pc because there's no need for it anywhere else.

It's funny, last year one of my international publishers wanted Doctor Randle's address for a promotion they were working on, so someone from Canongate (my UK publisher) mailed me to ask what it was. They didn't say 'can you make up an address for Dr Randle' just 'can you check and let us know what her address is?' as if she were a real person. They must have worked with me and with Raw Shark for long enough to think of course there's an address for Dr Randle and that I'd have it filed away somewhere. Which, of course, I do :)

S
heartbreak
Posted: Wednesday, March 04, 2009 9:21:19 AM
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hahahaha That's awesome. :D
Conceptually yours...
Posted: Wednesday, March 04, 2009 10:11:13 AM

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Location: Glossop Manchester
Would you consider writing something about Fidorous's past, how he came to do the work he does' etc, I reckon that would be a great read "The adventures of Trey Fidorous in unspace" (actually that title sounds pants) but you know what I mean, how about it??

See in black and white, feel in slow motion....
Steven Hall
Posted: Wednesday, March 04, 2009 10:44:20 AM

Rank: Whale Shark
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Joined: 1/24/2009
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Conceptually yours... wrote:
Would you consider writing something about Fidorous's past, how he came to do the work he does' etc, I reckon that would be a great read "The adventures of Trey Fidorous in unspace" (actually that title sounds pants) but you know what I mean, how about it??


Hmmm... we rarely, if ever, see anything beyond the narrator's perspective in TRST, but that doesn't mean I'd rule it out, if I were you ;)
After all, there are already other stories Eric has heard amalgamated into the main book - The Story of Mycroft Ward and The Story of Tekisui and the Shotai-Mu, and at least one other story - one told by Jones to the First Eric - seems to have been lost for good now. So, yeah, it'd be a safe bet that not all of the remaining negatives are about Eric...

S
MiaVRO
Posted: Wednesday, March 04, 2009 5:20:14 PM

Rank: Bede Shark
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Joined: 1/24/2009
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Did you really work as a private detective?
How was that??
Steven Hall
Posted: Thursday, March 05, 2009 9:25:10 AM

Rank: Whale Shark
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MiaVRO wrote:
Did you really work as a private detective?
How was that??


I really did, but only occasionally.

I worked as a photographer's assistant for a little while after I'd finished my A Levels and before I went to university, I was about 18, I think. The private detective agency was on the floor above the photographer's office and I became pretty good friends with the folks that worked there.

After a while, I decided it would be pretty cool to be a PI and I spent a lot of the time I wasn't working up their offices, helping out with whatever I could, making tea and reading their training manuals on the different ways to tail someone so they don't know you're following them, the best places to put a bug, all that cool stuff.

Occasionally, a job would come up that required two people but the agency didn't want to pay two full time staff to do it, so I'd get a call and go along to help out. The one I remember best was a weekend away sweeping a well-know British company's headquarters for bugs. There are almost never bugs apparently, but if a client wants to pay for a bug sweep, that's what they get. So we swept the offices with all this Ghostbusters-style equipment and we had a cover story (cable surveyors) and fake names (I was the especially unlikely Time Estuary), the whole deal. It was all very cloak and dagger and lots of fun.

Eventually I finished at the photographers then kinda lost touch with the detectives too when I decided to go to university to study art.

It was a crazy little time between two bigger parts of my life and sometimes I forget it even happened, but it did, and I'm really happy that it did.
Very odd to think back on it now.

S


Steven Hall
Posted: Saturday, March 14, 2009 2:49:23 PM

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I'm working on answering some questions for an email interview this afternoon. In answer to a question about websites and this forum, I found myself writing something that seems important and not really recognised in the publishing world, so I thought I'd stick it in here -

"Current publishing models don’t assign very long lifespans to books, the tables of books in bookshops change very regularly, but an online forums provides the permanence and a stability that a novel and its readership needs to grow."

If I find myself saying something else intelligent sometime, you'll be the first to know :)


S






MiaVRO
Posted: Saturday, March 14, 2009 11:36:00 PM

Rank: Bede Shark
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but that's very true.
After a certain amount of time, it won't matter how many copies were sold, of ANY book, and if it was a bestseller from the New York Times or some no-place magazine. After a while, books just fall back into the 'regulars' rather than being recognized.
The forum really sustains the life of the book. its something to look forward to every day :)
CpVb006
Posted: Wednesday, March 18, 2009 3:31:26 AM

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How about this: How was it decided which editions would get which special content? Was there any reason to give the Israeli edition negative 11 over the Dutch edition, which got green plants? Or the Canadian hardcover getting both an Undex and a link to the aquarium fragment, while the US hardcover had neither?

And also, are you fluent in any languages besides English that the book has been published? What is it like having exclusive portions of your writing (such as negative 11, assuming you cannot speak hebrew) in a language you can't read?
arcman564
Posted: Wednesday, March 18, 2009 4:08:58 AM

Rank: Fry
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Location: Pacific NW
Steven Hall wrote:
arcman564 wrote:
Hello Steven! Thanks for having this forum. I'm curious about a lot of the elements behind the creation of TRST, but some main curiosities are: anything in the "real" world that inspired any of the incredibly creative ideas in TRST, in any way? Also, given the amazing psychological concepts you've presented, do you have a background in psych studies at all? Such a great book! And, I'm not sucking up here, but I have to say it's some of the best writing I've ever read, period.


Hi Arcman,

Welcome to the forum & cheers for your kind words :)

No, I don't have a background in psych studies - I guess I think a lot about thinking, if that makes any sense. I'm really caught up in ideas about memory, communication, language, reality and our collective, cultural and personal perception of it. The ways we come to think what we think and also the way we can think things without even knowing that we think them, what is a mind and what goes in to making one - all that stuff.

Something I've said a lot before is that the Ludovician shark was partly inspired by observing language and being fascinated by how often water imagery seems to appear when we talk about the mind, thought and language - stream of consciousness, the unconscious depths, flow of conversation, ebb in conversation, muddied or clear thinking... the list goes on. Why water? Why is it there? I'm fascinated by these clues to deeper processes (deeper processes!) that we're barely aware of.

I guess I've also always been drawn to idea that our definition of life could be seen as quite narrow and carbon-centric. Look at something like a bank or a corporation - in many ways these institutions behave much like multi-cellular organisms. They are created, they die, they have sense of self preservation, they make decisions (yes, you could argue that it is the people in the corporations that make the decisions not the corporations themselves, but this is nothing new - a specialised team of braincells also make the decisions for the body/cell-collective that makes up 'you' after all). All this is something I'll certainly be coming back to.

I'm not sure if any of this answers your question - just observation, lots of reading and lots of thinking I guess is what I'm trying to say.

As for your other question re referencing - I'm not exactly sure what you're asking, I'm afraid - you'd like to use extracts from my book to illustrate your theories, do you mean? I'd like to know more about your ideas. Can you say more?

S


Steven –

Thanks for the shout back, and for sharing the fascinating stuff that sounds actually rather similar to my own process of “thinking about thinking” as you put it. I rather suspected as much, that you were creating from your own thoughts in the innovative ideas you’re putting forth, since so much of the existing science out there is also kind of the same boring and tired science that isn’t doing much cutting edge stuff at all anymore, using the same old scratched and worn out lenses to look at the world. Even just in a writing sense, that’s so much of what I enjoyed in your book was the innovation of it, the fresh take on story telling. I mean, who gets away with blank pages as part of the text??? But, you did it – blank pages, hyphenated word concepts (really liked that) textual and conceptual fish, etc.

I was listening to a talk you gave that was broadcast on YouTube, about the book having something for everyone, that it could hopefully touch multiple genres and speak to a lot of people from a lot of angles, but what made it great for me was that the whole mix, together, made for a full package deal. Like many readers, I tire of “genre” books that seem so narrow in “fulfilling” a marketing obligation, so as to fit where put on the proper shelf in the bookstore. But, TRST was like a really great (and so seldom made) video game that doesn’t have to try to be just one thing, but rather is a whole lot of things, and, taken collectively as such, becomes far more entertaining.

As requested, I’m going to post most of what I emailed to you, and I hope that folks do find it interesting. In any event, I welcome your comments and thoughts on it. Apologies this is late in coming – life is far too busy these days.

So, on to the commentary…..

First off though, yes, the whole “water” thing is interesting, and I never noted it, but, yeah, in hearing you put it that way, what IS the deal with it??? Interesting too that water has often been described as a bridge of sorts, between realms, worlds, whatever, in a supernatural sense, in fiction, as if it acts as some kind of greater medium for unseen forces. And then there are the Biblical rituals of course, with such thoughts that getting dunked in H2O by a religious type works wonders for the human soul.

Perhaps we allude to water because of our nine month in utero swim that likely remains with us on some level of sub-basement processing, or maybe it reaches back even farther if we believe we all walked out of the oceans in the way, way back. Hard to say, I guess, but it worked incredibly well in TRST, obviously.

Wow, I just noticed that could be the word “trust” and I have no idea why I just clued in to that, but trust certainly plays a big factor in TRST, doesn’t it. Hmmm. Must be one of those Jungian collective unconscious kinds of things going on there….

But, back on track. My reference to referencing was in relation to how TRST relates to what I’ve been working on, and, specifically, how elements of the story provide excellent analogy for concepts of behavioral change we’re working on at our agency, with respect to developing new approaches to self-empowered change. We deal a lot with reality, how to control it, how it becomes “structured” in our lives, and therefore how we can “re-structure” it in order to achieve a desired change objective.

So, with respect to referencing your work, I was thinking along the lines of something like this (although maybe not exactly like this, since I’m just penning this now, but it gives an idea of the kind of reference I was hoping to use):

“How much stronger is the ‘truth’ of a thing, as compared to what, over time, can easily become only a watered down or even hopelessly inaccurate ‘impressionist’ picture of that thing? Is there a reality of ideas behind concepts that is worth understanding, and would such an understanding yield a greater use and control of what that idea can accomplish in our lives? What greater weight could such ‘true’ ideas have, as opposed to a mere ‘representative’ understanding of those notions?

Steven Hall, in his groundbreaking fictional work, The Raw Shark Texts, relates a very compelling story of an ancient Japanese monk, who defeats three very well-trained young swordsmen, brothers all, with, in the first case, a calligraphy brush, in the second, a single bristle from said calligraphy brush, and, in the third, with nothing at all. In each successive instance the monk faces a supposedly more technically proficient opponent, yet defeats his opposition, in each instance, with a successively decreased requirement of visible tools or fighting moves. The first man, who claims to be quite skilled, is beaten with the brush, in three moves. The second, who claims to be greater than the first, is conquered with only the bristle of the brush, in two moves. And the third son, claiming to be the greatest swordsman in all of his father’s lands, the monk overcomes with nothing, not even the lonely brush bristle, and the monk does so in a single move. When the father of these three sons asks how this feat was possible, the monk remarks that, while apparently the sons were using skill, the monk was utilizing a deeper knowledge – the idea of skill itself, or what could be called unskill, in the words of the venerable monk.

Fiction often reveals great insight with such stories, analogies, or ‘parables’. And what we can infer from Hall’s fictional monk warrior is that the idea of skill holds greater power than the mere fundamentals of skillful swordsmanship.

How does this relate to our discussion in this lesson?

Consider that we’ve been talking about the inherent power found in knowing the ‘reality’ or ‘true name’ of an objective we are attempting to achieve in our own lives. We used the example of what it ‘really means’ to be a parent, or to be a friend, or even to be happy, or successful, or sober, or financially solvent, or whatever it is that you want to create within your own process of change. We noted also that society’s definitions are sometimes wildly off-base with respect to what is actually produced, versus what the idea is supposed to bring to us. We practice the ‘accepted’ definition of parenting, for example, and we find that we become the typically frustrated parent with the typically alienated child. But, is that ‘true’ parenting? Is parenting honestly meant to be what one popular parenting magazine refers to as ‘the seven levels of hell?’ Do we really even want to accept such a debilitating standard of failure as the definition of what we want to create? If not, then perhaps it is time to do as Hall’s monk would suggest, which is to stop practicing skill, and start practicing the idea of it. In the parenting example, that would mean to stop trying to practice the common definition of accepted parenting, and instead begin to learn the idea of parenting itself, which one might call un-parenting. Real change, beyond what has become the talk-show, store-shelf, political-platform version of it, is the truth of change, evidenced by a measurable difference in the state of things. It is not talk of change, nor debate of change, but rather it is actual change, a term Hall’s monk might describe as un-change. These ‘truths’ of reality are what we are seeking to achieve.”

So, yeah, something along those lines, although, at the end of the day, of course, I don’t know that any of that is what you really even “meant” or even if that’s what the fictional monk was “trying to say” but that’s what I got out of it in relation to my research and this new approach to personal change.

And, good heavens this is REALLY long. Sorry.

A quick stab at describing the theory – this all came out of my frustration with the accepted failure of traditional psychology, and my research into why the hell such a potentially well-intentioned field is doing so much damage in people’s lives. I mean, good grief, psych is supposed to be about understanding the mind in order to advance the species, and instead it’s devolved into a veritable horror show where the outcome is far too often the utter antithesis of human betterment. While it took some doing to dig up the real history of how it all came about (which is information that was NOT taught to me in any of my university psych courses, oddly enough), essentially I came to discover is that, because psychology was born out of “world is flat” thinking, the poison fruit of the poison tree problem is what plagues the field – no matter how “innovative” psychology has tried to become, its roots are hopelessly mired in a muck of misconceptions about human thinking and behavior. The starting point was flawed, and so every tangent leading from that point is, ultimately, and not surprisingly, also headed off course.

Looking back on the sciences that spawned the study of the mind (and I’m trying to make a very long story short here – long, as in, a story more than three thousand years old in the telling of its full history), the fact of that matter is that the “parent” disciplines of psychology have long since moved on to better understandings, including conclusions revealing that earlier held conclusions were quite wrong, but the “child” of those now-modified fields is still running with the same clothes it had on when it first started walking, and no one has bothered to consider that a fashion update might be in order, let alone consider that the primitive trappings of psychology’s youth are a complete blunder when compared to what we know today about how things work.

The most relevant aspect of what has changed in the rest of the world’s thinking, but hasn’t changed in the mind of psychology? Many key aspects shaped psychology’s strange trip to the Freudian couch, and many of those founding ideologies are no longer considered valid in “modern” times, but this contribution from the old physics, of the Newtonian model of the universe as a completely mechanistic and utterly predictable design, is, in my consideration, the most damaging bias from those early days that has since been proven to be incorrect.

And so, that’s where I started, trying to understand the new physics because, as the Greeks pointed out lo those many, many years ago, we cannot observe the observable universe without eventually observing ourselves. If certain patterns seem true for stars and galaxies and plants and puppy dogs, there is merit in considering that such patterns might also have relevance for that other animal humming with the same molecular energy as space dust – homo sapiens.

Me being me, I decided to make that comparison, and see what psychology might look like if we started from scratch, based on a more current view of the universe than the one based on Newton’s headaches from a falling apple. The crux of the theory I’ve written is simply to identify the means of “capturing” the instant between cause and effect in our lives. As we all know, cause leads to effect, and effect becomes its own set of causes, in turn. But, if we can freeze the instant between what MIGHT happen and what DOES happen, as a result of our own choice-making process, we gain a degree of substantial control in our lives when we learn to intervene within the pause of silence we have created – a space in which we can stop and consider what we are about to do, and why, and decide if it’s really in our best interests to do so.

Having been in the field of behavior change for quite a while now, I’ve noted that standard methodologies, from traditional psych to self-help, seem to focus almost exclusively on either cause, or effect, but don’t seem to take the whole spectrum, as a process, into account. Neither extreme presents a successful solution. Centering on the force of cause, a patient is summed up as being merely a product of childhood woes, brain chemistries, or even genetics. Centering on the force of effect, a patient is summed up by his or her state upon arrival in the therapist’s office, with little or no interest in how the person came to be in that condition. Both extremes ex out the most important factor in a person’s life – THE PERSON! Yes, cause is a force, and, yes, effect is a force, but I suggest a third (mostly overlooked) force, which is the force of self. What am I doing with the causes that come in to my life? What am I doing with the effects that I produce from those causes? How can I stop the ceaseless flow and start responding, instead of reacting, to alter the stream in a chosen direction? How can life stop living me, so I can start living life?

I think Eric Sanderson deals with that, and clearly there is a shift in his reality when he decides he’s had enough of living the quiet, “expected of himself” life, and instead takes the plunge into becoming the dominant player in his own life drama. For better or worse, Eric decided to live, to stop merely existing within a sleepy trance, and instead become awake to whatever was waiting for him. He chooses this again, and again, throughout the book, and such is what makes this story so inspiring for those who wish to “un-plug” as the first Matrix film might put it, waking up from the dream world to embrace the beauty and ugliness of a truly wakeful existence.

Somewhere between cause and effect, I am – and my program works to teach people to find, and utilize, that instant of personal awareness.

The reason that’s so new in this country is simply because the existing model is mostly based on an idea of powerlessness, requiring either a “higher power” for one to achieve change (which, of course, is the 12 Step Model), or else describing a “disease” concept, in which, once again, the patient is powerless (this time because the patient supposedly suffers from an actual disorder). In the latter case, the cure is not to turn one’s will and life over to a mythical supernatural being, but rather to submit to a set of curative applications, which very often involves cheap little plastic bottles filled with very expensive little pills. So, the idea of self-empowered change (while not at all new, in and of itself) is very novel within an industry which widely holds the prejudice that damaged goods can’t repair themselves. That’s a blunt and inadequate statement, of course, but I’m trying (although not succeeding) to be somewhat brief here. I’m glad to explain more, if anyone asks.

Jumping to a summary then, a new foundation gave way to a new structure, and, to avoid the usual disconnect between theory and application, I wrote an applied version of the theory, and further wrote direct curriculum based on the form of therapy which I developed. In essence, what it all boils down to is realizing that we are both the primary producer and consumer of our own reality, and within that process, we can (and do) exist in one of two modes. Mode one is auto-pilot mode, where life just happens, and most everything beyond wondering if we should have coffee or tea seems beyond our ability to really control. In this mode, life seems to “happen” to us, and it’s where a lof of folks live, sadly. Mode two (the mode we teach) is a responsive mode, in which we apply methods to live responsively, understanding that the other side of life happening to us is that WE are happening to LIFE. Discovering the WHY of it all is the discovery of the mechanism that yields control of how reality is built – and therefore how reality can be re-built, to effect desired changes.

Does it work? Well, yes, it does actually. Far better than anything out there that I’ve come across, in fact, and my “evidence” of that is simply to point to the continued mess of behaviors within a world where we are more blessed by psychologists, psychiatrists, mental health practitioners, counselors, therapists, life coaches, experts, advisors, consultants, pastors, priests, and even talk show hosts than ever before in our history. When we’re not getting the right results, we’re not doing it right. Thus far, this new approach is getting the right results, so the “rightness” of it is revealed in the results, not to mention that many studies now being done confirm the validity of individual methods we’re using, although, so far, our is the only approach to put things together as we’ve done, combining disparate elements that are not so effective in isolation, but, used in tandem, are quite potent.

The core of the theory, and therefore the tenets of the therapy, as well as the applications within the curriculum, can be broadly housed under a basic change in psychological thought: instead of a patient being seen as predictably diagnosable (hence the use of the Diagnostic and STATISTICAL Manual, the bible of present-day psych), and in need of external treatment to address permanent internal conditions, my approach views people as dynamically changeable, and in need of internal knowledge to address transitory external situations. Short form: with the proper knowledge for change, tools for change, and resources for change, change is achievable.

So far we’ve worked successfully within populations long-considered “resistant to change” (translate to: people the experts have given up on) and the outcomes were startlingly effective. My program was then promptly shut down by those no longer getting their dollars from the return business of recidivism (translate to: people the experts usually get paid by), and so I shelved it for a number of years while fuming about the fact that those who could do something to make things better invariably make things worse, and those who actually would make things better invariably can’t do much at all. Then along came this opportunity to become involved with a drug and alcohol treatment center, and, well, put me in a lab coat and call me Trey Fidorous, but I dusted off the old box of materials and decided to have a fresh go of it.

That’s what led to the writing of this new curriculum, targeted specifically for the clients coming through my agency, bringing something quite new to the field of chemical dependency care. And, believe me, around here, it’s needed. As much as psychology misses the mark, chemical dependency care, as a long-neglected kind of “pseudo-clinical” branch of the psych profession, with even less scrutiny given to its mechanics, has wandered even further from any semblance of a beaten track, employing methods that are heralded by its own industry standards to be more prone to make a patient’s life worse, than better. So, that’s not good. And, with recidivism rates reported as high as 70%, it’s high time for change, especially given that, true to form, the field continues to blame the “disease of addiction” as less and less treatable, instead of admitting that no one really knows what the hell they’re doing.

And, that brings us to today, more or less, and my re-read of TRST, and my thought that there are great elements in there that could help to illustrate some of the points I’m trying to make in reaching these folks in need, and so this book-length email (now a post of epic proportions) to you, which is likely going to require more e-space than is available in all of Unspace.

In reference to the bit I wrote, as an example of possible referencing of TRST, as you can see from where I’m going with it, a lot of what we talk about in restructuring one’s own life is determining what you are trying to achieve, making a plan to achieve it, and then working that plan, and assessing your outcome to see if the results match up with the original vision, or do you need to make some adjustments. All of that begins (or ends, or goes sideways) with the baseline vision of what it is that the client is trying to achieve, which is why we spend a lot of time looking beyond the social catastrophes of how lives are often lived in this country, looking past ridiculous prejudicial (and just plain stupid) definitions provided by religion or law, and trying to find a “reality” that is even worth trying to create, based on an outcome that is worthy of being realized.

That’s why I loved the story of Tekisui, and the concept that the idea of skill was able to defeat skill. The “less” applied that was “learned”, the “more” that could be applied that was actually “known”. The sons had learned to be skillful, but Tekisui knew the truth of skill, or at least that’s what I got out of it. In each case, as the next opponent put forth more SKILL, Tekisui’s preparation was to fight with even LESS of what could traditionally be seen as SKILL, relying ever more heavily on the IDEA of skill itself, to the point that, with nothing, and with only a single move, he defeated the most “skilled” of the three sons.

Okay, so that was a long story I didn’t keep short! As you can see, it’s not really a “short answer” kind of thing, so thanks for bearing with me.

I’ll shut up now. :)

Hope this fits in your email….

Oh, last thought – yeah, I have ALWAYS been fascinated with language too, and just how it is that mere words, these blow darts of sound with assigned meaning, can be so powerful in our lives, and in the lives of others. How does language shape our world? How does the world shape our language? Can I even access the same planes of perception that are accessible to someone who speaks a language that is different from mine? My wife is from Ukraine (we’re still fighting paperwork to get her over here) and we have found language endlessly amazing, seeing how things change between her native Russian and my native English language and vice versa.

It’s a trip, because there are things she can “only say” in Russian. Why is that? Do we need to make up new words in English to capture those ideas??? And then stupid little English phrases or idioms that just get a complete blank stare from her. I remember telling her once that I had a lot on my mind, and she asked, “What lot? You sell a lot? Where is this lot?” Funny.

So, yeah, we deal often with that too, in my program, how reality is created, what creates it, how much we are created by it, in turn, and the attempt to engage and respond to the flow (water again!) going out from the choices we have made, which becomes part of the range of choices from which our next set of choices can be made. Like planting a harvest that yields the seeds for what can be planted next time around, meaning the goal is to become the responsive farmer who responds to what is sown, what is harvested, and what is reaped, to create a “conscious” garden as opposed to one that just grows wild and haphazard, where the farmer stares dejectedly, watching what seems to be a life that runs itself without any measure of real influence or control.

And, speaking of making choices, what is the YOU that makes those choices, and can YOU see yourself independently from how you see yourself??? How much is reality what we make of it, and how much of reality can be “re-made” by us?

I have theories on that….

Does it mean we could graduate to a point of drinking water from what was once a glass filled with paper strips marked with the word “water” on each strip? I don’t know. Maybe not. Maybe we can’t create oceans from ideas, find islands on conceptual shores, or bring back the loved and lost. Not yet, at least. But maybe that’s a good thing, because maybe that’s what keeps Ludovicians at bay, as well. For now, at least. Maybe there’s a fearful edge we shouldn’t cross until we’re more ready to cross it, and maybe there are new challenges waiting to be faced by a graduated human being. But, then again, it would be better, I think, to worry about how not to get killed by a conceptual shark, rather than worrying about how not to get killed by each other.

We’re just so petty, aren’t we?

So, yes, it could be a scary world if we graduated as human beings, if we evolved into something more. But I think it’s a much scarier world if we never graduate at all, if we only continue to devolve into less than we even are today.

So, yeah, seems like we think about a lot of the same thinking. Cool.

Okay, and I now I keep promising to shut up, but I really will this time!

Write me back – if you can stand the thought of me replying!

Much respect.

*** Okay Steven, and so there it is, the post from hell! Hope all is going well with you and yours. Will be glad to be in touch.
Steven Hall
Posted: Thursday, March 19, 2009 9:55:02 AM

Rank: Whale Shark
Groups: Shoal , Whale Shark

Joined: 1/24/2009
Posts: 310
Location: UK
CpVb006 wrote:
How about this: How was it decided which editions would get which special content? Was there any reason to give the Israeli edition negative 11 over the Dutch edition, which got green plants? Or the Canadian hardcover getting both an Undex and a link to the aquarium fragment, while the US hardcover had neither?

And also, are you fluent in any languages besides English that the book has been published? What is it like having exclusive portions of your writing (such as negative 11, assuming you cannot speak hebrew) in a language you can't read?





Hey Cp,

Good questions.

Sometimes, specific things have appeared in specific editions for a reason, but more generally the not very exciting answer is those publishers who ask for extra content tend to get it. The Canadians asked for as much content as I could give them, and I worked very closely indeed with the book's Italian and Israeli translators, so these books have more extra features and a more unique feel. Giuseppe Iacobaci in the Italian and Yael Achmon in the Israli book went far beyond the call of duty to make those books special - Giuseppe and I talked about the book a lot (we still do!) and he translated and arranged a last minute image and text in his own time to get the negative content in there and working correctly. Yael reworked the TheRa tunnel concept to make it work in a completely different written language and invented a whole new ecosystem of conceptual fish using Hebrew rather than English as a starting point. The Conceptual fish of the Achmonian rivers will be joining the Encyclopedia of Unusual Fish before too long.

With the American hardback, the original intention was to create a unique and rare tip-in page for this along the lines of the rare original Negative 6s that were printed on real envelope paper and the super-rare tracing paper undexes (there were only 100 tracing paper undexes ever printed) that were randomly inserted into copies of the UK hardback, but for a number of reasons this didn't happen. I've had a few chats with Tad Floridis who runs Canongate US about the vanilla-ness of the original book and he's very much interested in doing something about that at some point, as am I.

The plants are a little different because that option was available to everyone but, of course, there are financial issues associated with this.

In answer to your second question - no, I don't speak any other languages, so all I can do is trust my translators to get it right. The foreign language negatives tend to appear in books where publishers and/or translators are really trying to go that extra distance to make something special though, so I often find myself working with people like Giuseppe and Yael on them, people I have a lot of faith in.

S
Steven Hall
Posted: Thursday, March 19, 2009 10:45:21 AM

Rank: Whale Shark
Groups: Shoal , Whale Shark

Joined: 1/24/2009
Posts: 310
Location: UK
Hey arcman,

Thanks for such an interesting post!

arcman564 wrote:

First off though, yes, the whole “water” thing is interesting, and I never noted it, but, yeah, in hearing you put it that way, what IS the deal with it??? Interesting too that water has often been described as a bridge of sorts, between realms, worlds, whatever, in a supernatural sense, in fiction, as if it acts as some kind of greater medium for unseen forces. And then there are the Biblical rituals of course, with such thoughts that getting dunked in H2O by a religious type works wonders for the human soul.

Perhaps we allude to water because of our nine month in utero swim that likely remains with us on some level of sub-basement processing, or maybe it reaches back even farther if we believe we all walked out of the oceans in the way, way back. Hard to say, I guess, but it worked incredibly well in TRST, obviously.




Yes, what is the deal with the water thing? Your in utero or genetic memory suggestions are things I've thought about too, it's fascinating stuff. I've always found it really interesting too that the bible starts with this -

Quote:

In the beginning God created the heaven and the earth.
And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters.


The deep? The waters? Before God has started any of his creating, the bible says these deep waters were already there. I think this is something I'll return to. It's just too interesting to leave alone.

arcman564 wrote:

“How much stronger is the ‘truth’ of a thing, as compared to what, over time, can easily become only a watered down or even hopelessly inaccurate ‘impressionist’ picture of that thing? Is there a reality of ideas behind concepts that is worth understanding, and would such an understanding yield a greater use and control of what that idea can accomplish in our lives? What greater weight could such ‘true’ ideas have, as opposed to a mere ‘representative’ understanding of those notions?


The essential 'truth' of an idea is an interesting... idea. Is there a stable reality behind fluid concepts? (fluid - there we go again).


arcman564 wrote:
I think Eric Sanderson deals with that, and clearly there is a shift in his reality when he decides he’s had enough of living the quiet, “expected of himself” life, and instead takes the plunge into becoming the dominant player in his own life drama. For better or worse, Eric decided to live, to stop merely existing within a sleepy trance, and instead become awake to whatever was waiting for him. He chooses this again, and again, throughout the book, and such is what makes this story so inspiring for those who wish to “un-plug” as the first Matrix film might put it, waking up from the dream world to embrace the beauty and ugliness of a truly wakeful existence.


Yes indeed, or at least that's one way of looking at it. He certainly makes some hard choices for himself.



arcman564 wrote:
Oh, last thought – yeah, I have ALWAYS been fascinated with language too, and just how it is that mere words, these blow darts of sound with assigned meaning, can be so powerful in our lives, and in the lives of others. How does language shape our world? How does the world shape our language? Can I even access the same planes of perception that are accessible to someone who speaks a language that is different from mine? My wife is from Ukraine (we’re still fighting paperwork to get her over here) and we have found language endlessly amazing, seeing how things change between her native Russian and my native English language and vice versa.

It’s a trip, because there are things she can “only say” in Russian. Why is that? Do we need to make up new words in English to capture those ideas??? And then stupid little English phrases or idioms that just get a complete blank stare from her. I remember telling her once that I had a lot on my mind, and she asked, “What lot? You sell a lot? Where is this lot?” Funny.


Yes, I love this too. I'd love to be able to speak several languages because I suspect they would unlock quite different ways of thinking. I remember trying to explain the phrase 'who died and put you in charge?' to a translator once, it took us a long time to sort that one out.


arcman564 wrote:
And, speaking of making choices, what is the YOU that makes those choices, and can YOU see yourself independently from how you see yourself??? How much is reality what we make of it, and how much of reality can be “re-made” by us?


Yes, exactly. I think a lot about these things too. Writers investigate ideas by writing about them and lots of my thinking about this went into Raw Shark, I think there's still so much more to do with this. 'What is real in this new world we've made for ourselves' could be the big question of our time.

S
3rd Eric Sanderson
Posted: Friday, March 20, 2009 4:19:52 PM
Rank: Fry
Groups: Shoal

Joined: 3/20/2009
Posts: 1
Location: London
Dear Steven,

I read your book first in 2007 and I have to admit I found it quite difficult to follow (maybe I'm a bit thick) so I put it down and didn't return to it until 3 weeks ago. I have to say WOW, I finally get it and the whole concept is amazing. You probably get asked this all the time but what are your biggest influences? I know you're a Dr. Who fan, did any of that play into it? Are any of the characters based on real people?

Oh and my real name is Eric (but not Sanderson)
Steven Hall
Posted: Saturday, March 21, 2009 9:31:22 AM

Rank: Whale Shark
Groups: Shoal , Whale Shark

Joined: 1/24/2009
Posts: 310
Location: UK
3rd Eric Sanderson wrote:
Dear Steven,

I read your book first in 2007 and I have to admit I found it quite difficult to follow (maybe I'm a bit thick) so I put it down and didn't return to it until 3 weeks ago. I have to say WOW, I finally get it and the whole concept is amazing. You probably get asked this all the time but what are your biggest influences? I know you're a Dr. Who fan, did any of that play into it? Are any of the characters based on real people?

Oh and my real name is Eric (but not Sanderson)



Hi Eric,

Welcome to the forums!

My biggest influences… hmmm, let’s see. I’d say Paul Auster’s City of Glass (first book of The New York Trilogy) has to be up there. I bought that book without knowing anything about it (I’d been sheltering in a bookshop from the rain for almost an hour and it seemed rude to leave without anything) and it’s probably fair to say it changed me forever as a writer. It opened my eyes to the possibilities of what a book can be and what it can do. Despite all the critical acclaim, I think it’s fair to say that people are still to fully realise how important that book is.

I have to add Murakami to the list too, The Wind-Up Bird Chronicle is an astonishingly good book.

Who else? BS Jonson "Britain's one-man literary avant-garde of the 1960s" - The Unfortunates is a great exploration of what a book can be and if you haven’t read Christie Malry's Own Double Entry, then check it out. It’s kinda like the original Fight Club but funnier and darker and more people die (many thousands more in fact) that book is surely due a revival soon. David Mitchell, Mark Z Danielweski and Jonathan Safran Foer are fantastic. Raymond Federman and Donald Barthelme were both very important to me starting out, and they still are.

I’m currently reading Countdown The Final Crisis, the DC comic. I enjoyed Crisis on Infinite Earths a lot, you need to do a lot of reading to get to get the most out of that book, and that’s something I really enjoy. I’m a fan of Ultraman, Superman’s evil counterpart from Earth 3. I think maybe you see him for two frames in Crisis and then they kill him. Loved that. Now I seem to be talking about comics – Alan Moore is a big influence, Watchmen is stunning...

I could go on and on about this stuff, but I think that’s probably enough for now.

Glad you enjoyed the book on the second try! The Wind-Up Bird was a second try book for me, I think sometimes you’re not in the right place or frame of mind for a book. Now I always try to come back to things I didn’t like/get in to, just to check!
S
Mick_Malone
Posted: Saturday, March 21, 2009 6:25:16 PM
Rank: Fry
Groups: Shoal

Joined: 3/21/2009
Posts: 2
Location: Pittsburgh, PA
Hey Steven, first and foremost, I love TRST. Fantastic book! I've been lurking the site and forums for a while, finally decided to start posting.

How do you feel about self-publishing? I'm a begining writer, and have self-published a collection of short stories that I wrote when I was fourteen and fifteen, and I'm readying my novella/anthology for this summer. What do you think is the best way to promote your work? How did you get your start?

Thanks
Mick Malone
Steven Hall
Posted: Sunday, March 22, 2009 2:05:39 PM

Rank: Whale Shark
Groups: Shoal , Whale Shark

Joined: 1/24/2009
Posts: 310
Location: UK
Mick_Malone wrote:
Hey Steven, first and foremost, I love TRST. Fantastic book! I've been lurking the site and forums for a while, finally decided to start posting.

How do you feel about self-publishing? I'm a begining writer, and have self-published a collection of short stories that I wrote when I was fourteen and fifteen, and I'm readying my novella/anthology for this summer. What do you think is the best way to promote your work? How did you get your start?

Thanks
Mick Malone



Hello Mick,

Thank you very much. Glad you decided to step out of the shadows :)

I think self-publishing is a more viable option now than it has ever been, especially with print on demand coming of age. Quite a few self-published books have gone on to make it big after publishers had dismissed them so much of the stigma that was once associated with self-publishing now seems to be gone. If that's the route you want to take, I'd go for it. It might even be (whisper it) the future.

The Internet is your best friend when it comes to promoting your work, set up a profile anywhere and everywhere you can. Maybe see if you can get some work writing for a lit blog or reviewing books, anything that'll help send traffic to your page and allow more people to find you. The more strands of the web that lead to you and your work, the better.

I work on a literature festival for a while, it was a great way to meet writers and learn from them. I hope I never forced my work on anybody but some people ended up reading it and a few opportunities opened up for me that way.

I guess my best advice would be to get involved, get your name and your writing out there, on-line and in the real world, for people to see. Your first job is to make the writing the best it can be, your second job it to make it as easy as you possibly can for people to find it.

hope this helps & good luck!

S

Tim Stanton
Posted: Monday, March 23, 2009 2:42:40 PM
Rank: Fry
Groups: Shoal

Joined: 3/22/2009
Posts: 5
Location: Raleigh, NC
First off, thank you for writing this book! I have been hooked since my first reading last year and have re-read it four times through. While I am definitely in awe of the many layers of meaning and style that permeate this story, I must admit being moved primarily by the wonderfully human story of a love lost and regained.

I think that anyone who has suffered the loss of a love can instantly relate to the idea of rediscovering that love in the form that we remember (or recreate ) it to have taken. Your book offers a unique window out into the world of "what if I had the chance to do it all again" and allows the reader to vicariously experience that opportunity through Eric.

I doubt that I have the literary background or knowledge to fully appreciate all of the subtleties you bring to bear in TRST, but the emotional impact your book made was in no way diminished because of it. This will be a permanent resident of any bookshelf I ever own and again, thank you for writing it!!!

Any plans to visit the States in support of this or any future work?

Tim
Steven Hall
Posted: Monday, March 23, 2009 6:07:15 PM

Rank: Whale Shark
Groups: Shoal , Whale Shark

Joined: 1/24/2009
Posts: 310
Location: UK
Tim Stanton wrote:
First off, thank you for writing this book! I have been hooked since my first reading last year and have re-read it four times through. While I am definitely in awe of the many layers of meaning and style that permeate this story, I must admit being moved primarily by the wonderfully human story of a love lost and regained.

I think that anyone who has suffered the loss of a love can instantly relate to the idea of rediscovering that love in the form that we remember (or recreate ) it to have taken. Your book offers a unique window out into the world of "what if I had the chance to do it all again" and allows the reader to vicariously experience that opportunity through Eric.

I doubt that I have the literary background or knowledge to fully appreciate all of the subtleties you bring to bear in TRST, but the emotional impact your book made was in no way diminished because of it. This will be a permanent resident of any bookshelf I ever own and again, thank you for writing it!!!

Any plans to visit the States in support of this or any future work?

Tim


Hi Tim,

Thanks very much for all your good thoughts on the book and welcome to the forums.

I've toured the States a couple of times with The Raw Shark Texts, once in 2007 and once in 2008 (actually I toured the USA with the book in 2006 too, the year before it came out - but that's another story!). I doubt I'll be touring with Raw Shark very much from now on, but hopefully I'll make it back with the new book at some point. I'll keep everyone informed of my movements on the blog and in this forum. As soon as I find out where I'm going, I'll tell you :)

S

Steven Hall
Posted: Sunday, March 29, 2009 8:58:35 PM

Rank: Whale Shark
Groups: Shoal , Whale Shark

Joined: 1/24/2009
Posts: 310
Location: UK
NicolaLeigh wrote:
Hi Steven

Sorry if this is rushed but i'm having to be quick. I read raw shark texts when it first came out, and ive found nothing to better it since and its very frustraiting! Please can you recommend me a book that I can enjoy in the same way as yours?

Also whats happening with the film version? i'm very worried about the 'Nicole Kidman' article i read- please dont let this happen haha.

best wishes

Nic



Hi Nic,

It might be easier if tell me what aspect of Raw Shark you enjoyed most, because I could go off in lots of different directions with recommendations for you!


The film is currently in the hands of FilmFour/Blueprint Films. Their idea was to very much keep the 'Britishness' of the book, but I don't have an active hand in the film itself, so I'll be waiting to see what happens along with everyone else.

If the film turns out to be great, then obviously that would be fantastic (and if anyone can pull that off, Blueprint & co. can) but first loyalty is always to my own books and projects. If the film helps people to find their way to the book then that's what will make me a happy author, first and foremost.

S


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